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DON SCHIFF : NS/STICK TECH

 

NS Tech #5
"So, what's so magical about a "B flat" chord..."

 

Can it pull a rabbit from of a hat?
Does it pet and feed your cat?
Can you wear it as a coat?
Will it find the TV remote?

AhhhHAAaaa! better than all that ... I'll show you.

BUT FIRST ....

Let's just form the chord. It's just like the "C" chord only it's now a "B flat" because you are playing it two frets lower in pitch ... (towards the ceiling OR to your left) depending on how you like to hold the NS. Hmmmm we never talked about holding the NS. Okay, real fast ... "The beauty is ... that you can hold the NS in a guitar like position and because of the "super deluxe" design of the strap holding ... 'thingy' (pardon my technical jargon) you can EASILY slide it 'up right' (vertical) to the standard Stick position and back down again to the standard guitar like position. Try it ...... "Oh, your right ... that's nice .... ohhhhh so easy!" (There you have it!). I recommend you chose the position that suits the technique. If I'm tapping, I'm more inclined to slide the NS a little more vertical. If I'm plucking bass or strumming chords, then I go a little more "east/west." Simple and ingenious.

Okay Back to the 'magic.' So here is a picture of the "B flat chord"

Notice those double dots so you can navigate your way around. Whew, those markers get handier and handier. Sure you're excited ... go ahead tap the chord, sound the 'gong' let it ring for the magic is on the way. Get a good clean clear tone and hold it. In my opinion, holding out a chord or note is one of the harder things to do ... "Wow, how fascinating, why is that?"  Well, because you get 'one' chance to get it right, one hit, and hold. If your fingers aren't placed right then you get buzzy sounds or notes that aren't ringing. AND that's not so good. NOW, if you where playing a repetitive part, you could correct it on the next beat BUT Noooooo this was a one shot chord ... and so (in my wacky world) it's a little more difficult. Riveting tidbit of information wasn't it?

So, now (sure the magic's coming, actually you're playing part of it but don't realize it yet! ........ ahHHAAAAA! that's part of the magic ...) let's get a bass line to facilitate the upcoming "BIG" magic ... (remind me when we meet ... to tell you about the time I played a magic show and the tiger got loose, WOW was that fun!) Okay, hang on, let me draw up the exercise ....


(Finale Notepad 2003 file for the audio - 5KB)

I put a lot of 'extra' information on the music this time just to get us started. When we get to the "Magic" we won't need it and I can just keep it 'clean looking' with notes. That will help the illusion along.

Take your time with this one, play it S-L-O-W until you get a 'feel' for it. It's a nice natural left hand transition. (Well, natural to me ... my Son after many years of watching me play one day says, "Wow "D", check out your deformed lookin' hands when you play ... they look like 'Mandible Claws" instead of hands.) So there ya have it ... something to look forward to after many years.

Anyway ... take your time, feel the flow of the transitions of chord position in the right hand along with the left hand alternating fingers with "4th" finger pivot transition. "Hey, sounds cool doesn't it, like we're really doin' something big and mechanical." Excellent! Give it whirl ...